Get Free Ebook , by Liz Haywood-sullivan

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Get Free Ebook , by Liz Haywood-sullivan

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, by Liz Haywood-sullivan

, by Liz Haywood-sullivan


, by Liz Haywood-sullivan


Get Free Ebook , by Liz Haywood-sullivan

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, by Liz Haywood-sullivan

Product details

File Size: 19933 KB

Print Length: 128 pages

Page Numbers Source ISBN: 1440322554

Publisher: North Light Books (April 12, 2013)

Publication Date: April 12, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00CJJWSSM

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Amazon Best Sellers Rank:

#321,624 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

YES, this book is worth purchasing. It is a brilliant book offering you great instruction, insight and inspiration using pastels. The author starts out telling you how to get started in pastels, and goes way, way beyond that. A book for all levels. Techniques are shown and described. Value studies, simplifying shapes, underpainting techniques, painting mood, and lots more.THE SKY sets the mood in a painting, and the author,Liz Haywood-Sullivan fully explains the importance of the sky in the landscape. She uses photos of her beautiful pastels with clear descriptive wording. Photos show the wrong way and the right way to do cloud formations. Liz shows how to apply clouds to the sky in step by step instructions; tells you what blues are best to use, how to paint the changing light and changeable sky,the drama of sunrise and sunset skies, and moonlit skies.WATER is often in landscape paintings and if you wish to learn how to do water well in a landscape painting, then this book will explain and show you how to do it well. Again, there are photos showing the wrong way and the right way of painting believable reflections in the water and aerial perspective. Find out how to paint water from still water, moving water,falling water, the ocean, as well as painting fog, painting rain,transparency in water. Gorgeous photos of her work in the book telling also what type of pastel papers or boards were used and pastels.Don't miss out on this book and what you can learn from the author.

I very rarely leave reviews on books, but this demanded that. I am a graphic designer (now retired) but my passion has been painting (acrylic, oil and now pastel) for more years that I would ever admit. I have a vast collection of art instruction books on all media mentioned above. I have recently decided to "reteach" myself pastel since it has been many, many years since I have used it. Within the last 6 months I would say I have purchased at least 12 used books on pastel. I bought this one on a whim, thinking it wouldn't amount to much other than some "sissy" pastel paintings. At last! someone that breaks things down into common sense steps, logically explaining and showing why things are done. There was such practical advice as sketching shapes in when beginning in one shade darker than the paper color being used. Quite obvious, but easily overlooked in that initial 'rush' to get started. I would recommend this book for every level of painter-you cannot go wrong. I would hope you enjoy it as much as I have! Thanks for reading my thoughts-

This book by talented pastel artist Liz Haywood -Sullivan is not just about skies &water . It is about so many aspects of painting in pastels and in elements of design and composition.Great chapter on aerial perspective as it relates to sky ,influences of sky color on the subjects below , even cloud identification . Learn aspects of night sky, sunsets and moonlit sky.Then we shift to painting water. Reflections on calm water, rivers and lakes , moving water and the ocean.The anatomy of a wave is fascinating .To pull it all together there is a chapter on integration of sky and water. This book has loads of photos demos and illustrations .It will inspire you . I just love it !

I own dozens of art books and as a professional artist and teacher I can tell you that this is one of the best books on sky, land and water I have seen. It is beautifully illustrated, easy to understand, and contains many special tips that can apply not only to pastels but to other mediums as well.

OK, Liz has a very clear grasp of how to draw abstracted landscapes, focusing on skies and difficult water. She has an amazing grasp of rendering the incredible complexities of each. But there are some issues that she should address in the next revision of this book.For instance, she shows us photos of various clouds, along with a rough pen sketch and lengthy description of how to render each, BUT NO PASTEL VERSION, so we are not able to "see" what she is explaining. Then, when she gets to a section where she finally shows us pastel renderings of different types of clouds, she shows us no photographs of those scenes.There are a few demonstrations that include a photo of the original scene, so all is not hopeless. But that is an exception--we do not often get a chance to see a photo and a pastel rendering of same.In the Kindle version, the layout is so poor that often her descriptions are on a different page than the actual rendering, so that the reader is forced to go back and forth between pages in order to understand what she is trying to explain.I hope I don't sound as if I am nitpicking. This is an important book in my library, but not without it's flaws.Liz- please give us a revision, at least of the kindle version!

I purchased this book just for the fun of seeing how the medium works, since I don't paint in pastels. I was pleasantly surprised to find a lot of quite useful information that could be used in any media. It is well organized, easily read, with helpful insights and beautifully reproduced paintings. Probably best for beginning and intermediate artists in pastel, acrylic and oils. I gave it four stars instead of five only because it was written for pastel artists and so a fair amount of information was lost on me. However, I enjoyed it and will keep in my library.

I bought the Kindle version of this book, looked through it and realized it is exactly the kind of reference book that I have been looking for. Since I only have an ipad mini to read it with and that's a small screen, I decided to order a second copy - a paper copy - of the book for easier reference. The author is an accomplished pastel artist and obviously a good teacher. As another reviewer said, she knows what kind of information a student needs. The book is packed with good illustrations and information. The only thing that could be better is a teaching DVD that has been tailor-made to go with it.

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Some say he’s half man half fish, others say he’s more of a seventy/thirty split. Either way he’s a fishy bastard.

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